How does perspective affect science? How does science affect culture? Through projects, research, and discussions, you’ll practice examining the contexts and sources of knowledge.

You’ll take one Foundations course and one Perspectives course each semester of year two. In the Foundations courses, you’ll develop the set of skills you’ll use to explore, analyze, and interrogate ideas in the Perspectives courses of your choice.

Fall Semester

  • COR 201 | Core Foundations: Making Meaning through Science

    Science holds an elevated place in society. The knowledge and meaning that science makes are seen as having a particular and special value. This course explores knowledge and meaning making in order to allow a thoughtful analysis of, and then engagement with, science as a way of knowing, and then engages with the methods and theories of the sciences themselves, to understand the analytical, creative, and generative possibilities of science.

  • COR 202 | Interdisciplinary Perspectives on ____

    While each section of COR 202 addresses a different problem, issue, or topic, they all focus on interdisciplinary research. You will collect, analyze, and assess information from different disciplines in order to recognize patterns, contextualize arguments and synthesize ideas while collaborating on a project. Emphasis will be placed on helping you translate and apply what you learn about interdisciplinary research to other professional contexts.

  • What motivated me was curiosity, the only kind of curiosity that is worth acting upon; not the curiosity that seeks to assimilate what is proper for one to know, but that which enables one to get free of oneself. This semester we will unpack the complexity and dynamic force of post/decolonial identity through an interdisciplinary approach. We will follow the painful journey of a Senegalese woman trapped into a racial web of a white French bourgeois household, dive into the clash and the search for independence in Algeria, unpack women’s voices out of India and follow Ngugi Wa Thiong’o’s questioning of the role of the English language as a dominant colonial force. Our guiding force will be non-western lens, we will challenge our assumptions, be inspired, and learn from the giants of postcolonial theory.

  • In this course, we will use poetic forms from across North Africa to build capacities for interdisciplinary research. Our texts will come from fields such as performance studies, literary studies, and religious studies, and we will seek the integrative knowledge that can be made in between these fields by purposely setting them in conjunction with one another, and by learning about interdisciplinarity itself through theory lenses.

  • From alternate reality games to escape rooms, some of today’s most compelling experiences unfold in real spaces, real communities, and real time. This course explores the design, theory, and cultural significance of these experiences, drawing on perspectives from game studies, narrative theory, spatial design, and psychology. We will examine how place-based games like escape rooms create meaning and community, culminating in collaboratively designing and implementing an original escape room in partnership with a local community organization.

  • In this course, we will use poetic forms from across North Africa to build capacities for interdisciplinary research. Our texts will come from fields such as performance studies, literary studies, and religious studies, and we will seek the integrative knowledge that can be made in between these fields by purposely setting them in conjunction with one another, and by learning about interdisciplinarity itself through theory lenses.

  • From alternate reality games to escape rooms, some of today’s most compelling experiences unfold in real spaces, real communities, and real time. This course explores the design, theory, and cultural significance of these experiences, drawing on perspectives from game studies, narrative theory, spatial design, and psychology. We will examine how place-based games like escape rooms create meaning and community, culminating in collaboratively designing and implementing an original escape room in partnership with a local community organization.

  • What motivated me was curiosity, the only kind of curiosity that is worth acting upon; not the curiosity that seeks to assimilate what is proper for one to know, but that which enables one to get free of oneself. This semester we will unpack the complexity and dynamic force of post/decolonial identity through an interdisciplinary approach. We will follow the painful journey of a Senegalese woman trapped into a racial web of a white French bourgeois household, dive into the clash and the search for independence in Algeria, unpack women’s voices out of India and follow Ngugi Wa Thiong’o’s questioning of the role of the English language as a dominant colonial force. Our guiding force will be non-western lens, we will challenge our assumptions, be inspired, and learn from the giants of postcolonial theory.

  • What motivated me was curiosity, the only kind of curiosity that is worth acting upon; not the curiosity that seeks to assimilate what is proper for one to know, but that which enables one to get free of oneself. This semester we will unpack the complexity and dynamic force of post/decolonial identity through an interdisciplinary approach. We will follow the painful journey of a Senegalese woman trapped into a racial web of a white French bourgeois household, dive into the clash and the search for independence in Algeria, unpack women’s voices out of India and follow Ngugi Wa Thiong’o’s questioning of the role of the English language as a dominant colonial force. Our guiding force will be non-western lens, we will challenge our assumptions, be inspired, and learn from the giants of postcolonial theory.

  • What motivated me was curiosity, the only kind of curiosity that is worth acting upon; not the curiosity that seeks to assimilate what is proper for one to know, but that which enables one to get free of oneself. This semester we will unpack the complexity and dynamic force of post/decolonial identity through an interdisciplinary approach. We will follow the painful journey of a Senegalese woman trapped into a racial web of a white French bourgeois household, dive into the clash and the search for independence in Algeria, unpack women’s voices out of India and follow Ngugi Wa Thiong’o’s questioning of the role of the English language as a dominant colonial force. Our guiding force will be non-western lens, we will challenge our assumptions, be inspired, and learn from the giants of postcolonial theory.

  • How can we best understand sexuality and sexual desire? As humans, we are sexual creatures, yet sexual desire is often viewed by society as taboo and carefully regulated. This section examines potential reasons why, and subsequent repercussions. This is not a how-to course on human sexuality; rather, we will inquire into how we are (or are not) formally educated about sexual desire; how our beliefs about sex and sexuality are formed through religious traditions and cultural expectations; how we encounter representations of sex through visual and performing art, and media; and how industries and laws have formed to sell and regulate sexual content.

  • How can we best understand sexuality and sexual desire? As humans, we are sexual creatures, yet sexual desire is often viewed by society as taboo and carefully regulated. This section examines potential reasons why, and subsequent repercussions. This is not a how-to course on human sexuality; rather, we will inquire into how we are (or are not) formally educated about sexual desire; how our beliefs about sex and sexuality are formed through religious traditions and cultural expectations; how we encounter representations of sex through visual and performing art, and media; and how industries and laws have formed to sell and regulate sexual content.

  • Colleges and their host cities have long lived with a quiet border between them — the traditional “town and gown” divide, where campus and community operate as separate ecosystems rather than a single interdependent one. This course asks what it would take to dissolve that border: not through one-way service or charity, but through genuine symbiosis, where campus and community each bring resources the other lacks and both are stronger for the exchange. What keeps a community functioning — not just in ordinary times, but during a heat wave, an outage, or a flood? And what makes a place somewhere people actually want to gather in the first place? This course asks students to investigate the overlap between two ideas: the “third space” — informal, welcoming, everyday gathering space that doesn’t require monetary transactions — and the “resilience hub” — physical infrastructure that supports a community in the steady state, during and after a major disruptive event. Drawing on ecological economics, design, urban planning, sociology, and field-based observation, students will map, interview, and imagine their way toward answering the question: what would it look like for Champlain’s campus to become a genuine resilience and community asset for Burlington and for Burlington, in turn, to become woven into the fabric of Champlain’s own campus and classrooms? What would a truly reimagined, mutually sustaining relationship between the two actually require?

  • Colleges and their host cities have long lived with a quiet border between them — the traditional “town and gown” divide, where campus and community operate as separate ecosystems rather than a single interdependent one. This course asks what it would take to dissolve that border: not through one-way service or charity, but through genuine symbiosis, where campus and community each bring resources the other lacks and both are stronger for the exchange. What keeps a community functioning — not just in ordinary times, but during a heat wave, an outage, or a flood? And what makes a place somewhere people actually want to gather in the first place? This course asks students to investigate the overlap between two ideas: the “third space” — informal, welcoming, everyday gathering space that doesn’t require monetary transactions — and the “resilience hub” — physical infrastructure that supports a community in the steady state, during and after a major disruptive event. Drawing on ecological economics, design, urban planning, sociology, and field-based observation, students will map, interview, and imagine their way toward answering the question: what would it look like for Champlain’s campus to become a genuine resilience and community asset for Burlington and for Burlington, in turn, to become woven into the fabric of Champlain’s own campus and classrooms? What would a truly reimagined, mutually sustaining relationship between the two actually require?

Spring Semester

  • COR 203 | Core Foundations: Making Meaning through Culture

    Culture impacts everything we do, experience, and learn, but what is culture? Where does it come from, how does it form, and why does it have such a wide and deep impact on people’s lives? This course explores culture as a system of meaning and meaning-making in order to allow for a more thoughtful analysis of, and then engagement with, cultural texts and media using different methodological approaches.

  • COR 204 | Theoretical Perspectives on _____

    In this course, you will go in depth about a theoretical perspective that asks you to interrogate systems of power and power relationships. You will learn about the history of that perspective, including how it too was shaped by multiple contexts and compares with other viewpoints. You will use that perspective to analyze a specific topic, collection of texts, or cultural phenomena.

  • This course explores the idea of “self.” We will examine US cultural narratives such as “rugged individualism” and “pull yourself up by your bootstraps,” alongside non-western theories of relationality, interdependence, and kinship. As we face climate change and the sixth mass extinction, how do these different theoretical perspectives of “self” affect the way we think about, interact with, and navigate the more-than-human world?

  • This course explores the idea of “self.” We will examine US cultural narratives such as “rugged individualism” and “pull yourself up by your bootstraps,” alongside non-western theories of relationality, interdependence, and kinship. As we face climate change and the sixth mass extinction, how do these different theoretical perspectives of “self” affect the way we think about, interact with, and navigate the more-than-human world?

  • Erik Esckilsen

    What is art? This age-old question remains largely unresolved to this day. Along with the question of what art means, defining art remains a rich, confounding area of human activity. This course examines key artistic developments over the past two centuries and across the globe in search of some understanding of art’s definitions and meanings. Through different theoretical perspectives, students in this course will study art in varied media and diverse historical and cultural contexts to examine art’s enduring contributions to the cause of human civilization.

  • Erik Esckilsen

    What is art? This age-old question remains largely unresolved to this day. Along with the question of what art means, defining art remains a rich, confounding area of human activity. This course examines key artistic developments over the past two centuries and across the globe in search of some understanding of art’s definitions and meanings. Through different theoretical perspectives, students in this course will study art in varied media and diverse historical and cultural contexts to examine art’s enduring contributions to the cause of human civilization.

  • Kerry Noonan

    The Illuminati? Q-Anon? 5G? Area 51? Lizard people? Conspiracy theories seem to be everywhere, showing up in politics, healthcare, and other important areas of our lives. What makes these narratives compelling? Why do people believe them? What function do they serve? How are they spread? This course uses the tools and theories from the academic discipline of folklore to examine these beliefs, how they are spread, their types and structures, and the reasons for their acceptance.

  • Erik Shonstrom

    While American action films of the 70s and 80s featured wooden, hyper-masculine male stars, Asian cinema was showcasing amazing female leads such as Moon Lee and Angela Mao. This course looks at the cultural underpinnings of Asian martial arts films that inspired a generation of female action heroines. We’ll look at traditional notions of femininity, the lives of female stunt performers, and gender norms and interplay between identity, culture and history within the world of martial arts movies. This is an active class; students will be training in martial arts and stunts and then choreographing, directing, starring, and producing their own martial arts inspired short films.

  • Erik Shonstrom

    While American action films of the 70s and 80s featured wooden, hyper-masculine male stars, Asian cinema was showcasing amazing female leads such as Moon Lee and Angela Mao. This course looks at the cultural underpinnings of Asian martial arts films that inspired a generation of female action heroines. We’ll look at traditional notions of femininity, the lives of female stunt performers, and gender norms and interplay between identity, culture and history within the world of martial arts movies. This is an active class; students will be training in martial arts and stunts and then choreographing, directing, starring, and producing their own martial arts inspired short films.

Core Division

Aiken Hall, Room 300
163 S Willard St, Burlington, VT 05401
Monday – Friday
8:00 AM – 4:00 PM