Our Navigating classes equip all students with the agency and resources to succeed in the collegiate environment. You’ll take one Navigating course in the fall and one in the spring.

The First Year Inquiry (FYI) classes focus on experiential learning and sparking your curiosity and academic passion. Each FYI course offers a variety of sections, meaning you can take the FYI courses (one in the fall and one in the spring) that look most interesting to you. Enrolled first-year students will be contacted with more information about course registration.

Fall Semester

  • COR 101 | Navigating Higher Education

    Why go to college? What does it mean to be educated? In this course, you’ll begin to answer these questions. We’ll explore the academic expectations of higher education, college as a diverse community, and the significance of education around the world. By examining how these issues are negotiated and implemented at Champlain and elsewhere, you’ll gain perspective on your own education and a deeper understanding of the ways that the college experience can be both liberating and transformative.

  • COR 102 | First Year Inquiry (FYI): Reading, Writing, and ____

    Inquiry is about learning how to ask the right kinds of questions, and figuring out how to answer those questions through discussion and reflection. This course introduces you to the types of inquiry necessary to succeed at Champlain and beyond. You will explore the intersections of reading, writing, and thinking by focusing on a specific topic or theme. You will approach that focus through the interrogation of relevant texts and analysis that draws upon multiple analytical frameworks.

  • Kelly Bowen

    Censorship, Free Speech, & Book Banning: Is your reading freedom at risk? Across the United States, banning books is, once again, headline news. Since 2021, a movement to ban books has advanced extreme conservative viewpoints that jeopardize students’ reading choices. From small local school boards to state legislatures, the opposition voices are loud as they call for removing “controversial” books from public spaces. In 2023-2024, an estimated 10,000 titles were removed from public schools, a 200% increase from 2022. Florida led the nation in banning 4,500 titles last year alone. What factors drive the hysteria, and why should it matter to you? In COR 102 Reading & Writing: Banned Books, we will examine censorship and its history in Western culture. We will sample a variety of banned works and investigate how students and critical thinking are impacted, what social constructs foster censorship, and how book banning affects society at large. In our critical reading and writing, we will explore why works with themes of race, racism, gender, sexuality, LGBTQ+, and memoir become targets of a moral minority. We will evaluate how this practice creates disinformation and further marginalizes underrepresented communities. Students leave COR 102 Reading & Writing: Banned Books with a critical understanding of censorship, book banning, and the foundations for academic writing success.

  • David Kite

    What do you want from life? Is real happiness possible? How do we find it both as individuals and within community? Centering on Aristotle’s Nicomachean Ethics, this course will take a deep dive into the most important question using fresh ideas from contemporary philosophy, psychology and evolutionary biology. You will take up big questions about ethics and personal character, justice, intellectual and experiential growth, friendship and pleasure as you develop your own ideas about what makes for a good life.

  • Al Capone

    Have you ever wondered who Karl Marx is or what he wrote? Have you ever wondered why so many admire or revile him? Have you ever wondered what it means to be a Marxist? In this section we will examine Marx’s writings using the lenses of philosophy, literature, and economics, and you will answer all these questions for yourself.

  • Al Capone

    Have you ever wondered who Karl Marx is or what he wrote? Have you ever wondered why so many admire or revile him? Have you ever wondered what it means to be a Marxist? In this section we will examine Marx’s writings using the lenses of philosophy, literature, and economics, and you will answer all these questions for yourself.

  • Erik Esckilsen

    Would you call an ordinary snow shovel leaning in an art gallery a work of art? Artist Marcel Duchamp made that claim in 1915 with Prelude to a Broken Arm. The seemingly silly display, however, also leveled a critique of the art world and of the broader cultural forces responsible for World War I (underway at the time). Neither the world nor the art would ever be the same. Students in FYI: Reading, Writing, & Revolutionary Art Movements will encounter the work of Duchamp and other artists across a wide span of art history—from neoclassical painters to Japanese anime creators—to examine how art has shaped, and has been shaped by, its cultural contexts. Students will analyze art through multiple critical perspectives to gain a deep understanding of how art illuminates the challenges, joys, and wonders of the human experience.

  • Erik Esckilsen

    Would you call an ordinary snow shovel leaning in an art gallery a work of art? Artist Marcel Duchamp made that claim in 1915 with Prelude to a Broken Arm. The seemingly silly display, however, also leveled a critique of the art world and of the broader cultural forces responsible for World War I (underway at the time). Neither the world nor the art would ever be the same. Students in FYI: Reading, Writing, & Revolutionary Art Movements will encounter the work of Duchamp and other artists across a wide span of art history—from neoclassical painters to Japanese anime creators—to examine how art has shaped, and has been shaped by, its cultural contexts. Students will analyze art through multiple critical perspectives to gain a deep understanding of how art illuminates the challenges, joys, and wonders of the human experience.

  • Erik Esckilsen

    Would you call an ordinary snow shovel leaning in an art gallery a work of art? Artist Marcel Duchamp made that claim in 1915 with Prelude to a Broken Arm. The seemingly silly display, however, also leveled a critique of the art world and of the broader cultural forces responsible for World War I (underway at the time). Neither the world nor the art would ever be the same. Students in FYI: Reading, Writing, & Revolutionary Art Movements will encounter the work of Duchamp and other artists across a wide span of art history—from neoclassical painters to Japanese anime creators—to examine how art has shaped, and has been shaped by, its cultural contexts. Students will analyze art through multiple critical perspectives to gain a deep understanding of how art illuminates the challenges, joys, and wonders of the human experience.

  • Jeff Haig

    Dive into an exploration of literature, social transformation, and the profound influence of language and images in “Reading, Writing, and Censorship.” This dynamic course utilizes critical theories from the humanities and social sciences to examine how visual art, music, films, books, and ideas have been, and continue to be, subject to censorship. By engaging with controversial texts, participating in vibrant debates, and undertaking reflective writing assignments, students will critically analyze the impact of censorship on societal norms and individual freedoms.

  • Jeff Haig

    Dive into an exploration of literature, social transformation, and the profound influence of language and images in “Reading, Writing, and Censorship.” This dynamic course utilizes critical theories from the humanities and social sciences to examine how visual art, music, films, books, and ideas have been, and continue to be, subject to censorship. By engaging with controversial texts, participating in vibrant debates, and undertaking reflective writing assignments, students will critically analyze the impact of censorship on societal norms and individual freedoms.

  • David Kite

    What do you want from life? Is real happiness possible? How do we find it both as individuals and within community? Centering on Aristotle’s Nicomachean Ethics, this course will take a deep dive into the most important question using fresh ideas from contemporary philosophy, psychology and evolutionary biology. You will take up big questions about ethics and personal character, justice, intellectual and experiential growth, friendship and pleasure as you develop your own ideas about what makes for a good life.

  • Frank Robinson

    From Critical Race Theory to the death of George Floyd, from arguments for reparations to White Supremacist marches, and from Supreme Court definitions of equality to uncomfortable social media posts, race is a topic never far from risky conversation or public consternation. In this course we will explore our questions about race. What is race? Despite the civil rights movement 60 years ago, why is race still an issue? What are the stories about race in the U.S.? Drawing on autobiography, film, and history for answers — and more questions — the course will nurture the thinking skills of inquiry through reading, writing, and conversation.

  • Frank Robinson

    From Critical Race Theory to the death of George Floyd, from arguments for reparations to White Supremacist marches, and from Supreme Court definitions of equality to uncomfortable social media posts, race is a topic never far from risky conversation or public consternation. In this course we will explore our questions about race. What is race? Despite the civil rights movement 60 years ago, why is race still an issue? What are the stories about race in the U.S.? Drawing on autobiography, film, and history for answers — and more questions — the course will nurture the thinking skills of inquiry through reading, writing, and conversation.

  • David Rous

    Why are men allowed to get angry but not cry, while women are allowed to cry but not get angry? Why are men expected to lead, while women are expected to nurture? Why are little boys sometimes told to suck it up and deal, but little girls sometimes get hugged and comforted? Why are girls often given pink things, but boys blue things? Why do boys typically receive trucks and legos and toy guns at Christmas, while girls often get dolls or things with unicorns on them? Why are young men allowed to indulge their sexual appetite, but young women are encouraged to control theirs? And what are the rules for people who don’t fit into the traditional molds at all? In this section, we will explore why males and females are encouraged by society to do and be certain things, and why they are also encouraged not to do or be certain things. Through the lens of western popular culture, we will study how gender works and how it is changing in our times.

  • David Rous

    Why are men allowed to get angry but not cry, while women are allowed to cry but not get angry? Why are men expected to lead, while women are expected to nurture? Why are little boys sometimes told to suck it up and deal, but little girls sometimes get hugged and comforted? Why are girls often given pink things, but boys blue things? Why do boys typically receive trucks and legos and toy guns at Christmas, while girls often get dolls or things with unicorns on them? Why are young men allowed to indulge their sexual appetite, but young women are encouraged to control theirs? And what are the rules for people who don’t fit into the traditional molds at all? In this section, we will explore why males and females are encouraged by society to do and be certain things, and why they are also encouraged not to do or be certain things. Through the lens of western popular culture, we will study how gender works and how it is changing in our times.

  • David Rous

    Why are men allowed to get angry but not cry, while women are allowed to cry but not get angry? Why are men expected to lead, while women are expected to nurture? Why are little boys sometimes told to suck it up and deal, but little girls sometimes get hugged and comforted? Why are girls often given pink things, but boys blue things? Why do boys typically receive trucks and legos and toy guns at Christmas, while girls often get dolls or things with unicorns on them? Why are young men allowed to indulge their sexual appetite, but young women are encouraged to control theirs? And what are the rules for people who don’t fit into the traditional molds at all? In this section, we will explore why males and females are encouraged by society to do and be certain things, and why they are also encouraged not to do or be certain things. Through the lens of western popular culture, we will study how gender works and how it is changing in our times.

  • Bill Stratton

    While Role Playing Games (as we currently understand them) were formed first from wargames, they have since evolved to encompass a myriad of popular culture, including more “traditional” pen and paper, video games, novels (litrpg) movies, and even spawning immensely popular Youtube and other social media channels (such as Critical Role). As it’s evolution continues, we’ll be reading, writing, and experiencing these games in order to best examine their social, cultural, and philosophical impact, as well as learning about their history (and the history that inspired them), mythology, and ways in which they construct meaning from both the worlds created, and the world we live in.

  • Kelly Thomas

    Millions world-wide today share their lives with an animal they consider a member of the family. Why is that? How and why have humans developed relationships with other species for thousands of years? What roles do our furry, feathered, scaled and aquatic friends play in our lives, and we in theirs? Who “domesticated” whom? In this course, you’ll practice college-level close-reading and analysis as well as academic writing by investigating the emotional, behavioral and commercial aspects to human-animal bonding and its far-reaching cultural impact.

  • Kelly Thomas

    Millions world-wide today share their lives with an animal they consider a member of the family. Why is that? How and why have humans developed relationships with other species for thousands of years? What roles do our furry, feathered, scaled and aquatic friends play in our lives, and we in theirs? Who “domesticated” whom? In this course, you’ll practice college-level close-reading and analysis as well as academic writing by investigating the emotional, behavioral and commercial aspects to human-animal bonding and its far-reaching cultural impact.

Spring Semester

  • COR 103 | Navigating Your Information Landscape

    What makes an argument good or bad? What counts as evidence in our post-truth world? How can you understand and assess the truth value of a claim when you’re not an expert? In this course you’ll learn rhetorical strategies about how to examine arguments and types of evidence in different disciplines and fields of study. To help learn these strategies, you will do close readings of texts from a variety of disciplines in the liberal arts and sciences, popular culture, and social media.

  • COR 104 | First Year Inquiry (FYI): Making, Doing, and ____

    This course introduces you to interdisciplinary inquiry using applied, project-based, and/or experiential methods. Regardless of the specific course focus, you’ll have opportunities for making and doing interdisciplinary knowledge creation through a variety of approaches and activities. You will collaborate with other students, iterate on ideas, and work to develop a project.

    You can explore the Spring 2024 FYI topics below. Please note that current and previous topics are not guaranteed to be available in future semesters.

  • Kelly Bowen

    This section is an interactive workshop in interpersonal communications. Through a series of seemingly simple
    group interactions: a tea party, a political debate, sending Valentines, we will dissect the layered and complex
    dynamics of human behavior. How do you conduct yourself, express yourself, and foster relationships?
    Starting on campus, this class will explore the mechanics of relationships and the importance of building
    tangible community ties. We will consider the societal benefits of developing strong personal and social
    connections. We will examine how human interaction has shifted in the digital age and discuss the personal
    and community impacts of the COVID-19 quarantine.

  • Cynthia Brandenburg

    From highly programmed childhoods and chronic digital surveillance, to the COVID pandemic, changing social
    norms and expectations, and the ubiquity of the iPhone, there are a multitude of factors that have impacted
    the reasons why Gen Z’s experience of “fun” differs from the generations that preceded them. In this course,
    we will explore how history, culture and society have shaped and reshaped what it means to have fun, what
    material objects are associated with fun, and why having fun actually really matters. Students will explore their
    own ideas related to fun and test their understandings by creating a series of pop-up events for the community
    that are intended to be, well, just for fun.

  • Erik Esckilsen

    This section is an interactive workshop in interpersonal communications. Through a series of seemingly simple group interactions: a tea party, a political debate, sending Valentines, we will dissect the layered and complex dynamics of human behavior. How do you conduct yourself, express yourself, and foster relationships? Starting on campus, this class will explore the mechanics of relationships and the importance of building tangible community ties. We will consider the societal benefits of developing strong personal and social connections. We will examine how human interaction has

  • Erik Esckilsen

    The central feature of any community is something shared—something in common. For a community to thrive, however, community members must negotiate differences. What are the mechanisms by which functional communities bring people together across divisions? What are the barriers to creating inclusive communities? This course will examine a variety of communities, from students’ home communities to virtual communities to the “global village,” to illuminate how diverse interests, power differentials, and the design of community
    spaces influence the health of a community. Students will engage in rigorous interdisciplinary research and critical thinking to understand the multifaceted nature of communities and, in one major course project, envision and design a better community.

  • William Stratton

    In this class we will look at existing TTRPG game designs, evaluate their systemic and iterative operational
    values, and then construct our own. We’ll work in small groups and utilize the experiential aspects of those
    systems to help examine and navigate how they interact internally, as well as socially/culturally, and how they
    fit in to larger contextual systems.

  • Zachary LaMalfa

    In this section, we will examine what collage and montage techniques, under broad definitions (collage and bricolage in visual art; cento and cut-up techniques in poetry and fiction; editing techniques in film and video; remix, quoting, and sampling in music; etc.) can do for us in our efforts to represent, interpret, and challenge the everyday order of our world. We’ll look at the ways randomized and chance techniques produce meaning and, through unconscious association, reveal our own concerns and fixations. We’ll challenge conventional ideas of “originality” and “creativity” in our respective fields and interest areas, and we’ll consider the ways artists, designers, writers, filmmakers, activists, and others use combinations, juxtapositions, and even accidents to express complex ideas in mere instants. Across the semester, you’ll develop your own montage- and collage-based projects, learning in the process to read and critique visual language, make deliberate statements through collage methods, and uncover existing nuances in your own interests and ideas.

  • Zachary LaMalfa

    In this section, we will examine what collage and montage techniques, under broad definitions (collage and bricolage in visual art; cento and cut-up techniques in poetry and fiction; editing techniques in film and video; remix, quoting, and sampling in music; etc.) can do for us in our efforts to represent, interpret, and challenge the everyday order of our world. We’ll look at the ways randomized and chance techniques produce meaning and, through unconscious association, reveal our own concerns and fixations. We’ll challenge conventional ideas of “originality” and “creativity” in our respective fields and interest areas, and we’ll consider the ways artists, designers, writers, filmmakers, activists, and others use combinations, juxtapositions, and even accidents to express complex ideas in mere instants. Across the semester, you’ll develop your own montage- and collage-based projects, learning in the process to read and critique visual language, make deliberate statements through collage methods, and uncover existing nuances in your own interests and ideas.

  • Erik Shonstrom

    Why does learning have to happen indoors? The tradition of outdoor education shows us that having
    adventures together teaches collaboration, self-reliance, and empathy. We can also think about what we gain
    when we break down walls – literal and metaphoric – and begin to interact directly with the world around us.
    Being outside changes us; learning is no longer transactional, but transformational. Plus, being outside is way
    more fun.

  • Erik Shonstrom

    Why does learning have to happen indoors? The tradition of outdoor education shows us that having
    adventures together teaches collaboration, self-reliance, and empathy. We can also think about what we gain
    when we break down walls – literal and metaphoric – and begin to interact directly with the world around us.
    Being outside changes us; learning is no longer transactional, but transformational. Plus, being outside is way
    more fun.

  • Erik Shonstrom

    Why does learning have to happen indoors? The tradition of outdoor education shows us that having
    adventures together teaches collaboration, self-reliance, and empathy. We can also think about what we gain
    when we break down walls – literal and metaphoric – and begin to interact directly with the world around us.
    Being outside changes us; learning is no longer transactional, but transformational. Plus, being outside is way
    more fun.

  • Erik Shonstrom

    Why does learning have to happen indoors? The tradition of outdoor education shows us that having
    adventures together teaches collaboration, self-reliance, and empathy. We can also think about what we gain
    when we break down walls – literal and metaphoric – and begin to interact directly with the world around us.
    Being outside changes us; learning is no longer transactional, but transformational. Plus, being outside is way
    more fun.

  • William Stratton

    In this class we will look at existing TTRPG game designs, evaluate their systemic and iterative operational
    values, and then construct our own. We’ll work in small groups and utilize the experiential aspects of those
    systems to help examine and navigate how they interact internally, as well as socially/culturally, and how they
    fit in to larger contextual systems.

  • Stephen Wehmeyer

    From The Karate Kid, to Kung-fu Panda, from Mortal Kombat to Street Fighter and Enter the Dragon — Martial
    Arts intrigue us, excite us, terrify us and inspire us. This section takes an interdisciplinary approach to
    exploring multi-cultural martial arts in multiple contexts. We’ll look at the philosophical, bio-medical, religious,
    historical, and cultural underpinnings of a number of martial and related fitness traditions. We’ll explore their
    relations to systems of power and privilege, resistance and oppression. We’ll have the opportunity to explore
    these arts at first hand – learning from experts in the local community, and consider those arts as systems of
    conflict resolution and embodied vernacular tradition. We’ll examine the depiction of combat arts in popular
    culture and media and explore how a visceral understanding of these ways can open our minds and bodies to
    a deeper understanding of the cultures that create them.

  • Stephen Wehmeyer

    From The Karate Kid, to Kung-fu Panda, from Mortal Kombat to Street Fighter and Enter the Dragon — Martial
    Arts intrigue us, excite us, terrify us and inspire us. This section takes an interdisciplinary approach to
    exploring multi-cultural martial arts in multiple contexts. We’ll look at the philosophical, bio-medical, religious,
    historical, and cultural underpinnings of a number of martial and related fitness traditions. We’ll explore their
    relations to systems of power and privilege, resistance and oppression. We’ll have the opportunity to explore
    these arts at first hand – learning from experts in the local community, and consider those arts as systems of
    conflict resolution and embodied vernacular tradition. We’ll examine the depiction of combat arts in popular
    culture and media and explore how a visceral understanding of these ways can open our minds and bodies to
    a deeper understanding of the cultures that create them.

  • Fia Moser-Hardy

    How do you find a story? How do you craft one? Why are stories important? What stories are yours to tell and
    which ones belong to others? Explore stories in a variety of ways: oral storytelling, personal narrative,
    journalistic investigation, retelling traditional stories through the written word, fictional stories, stories told
    through the creative and performing arts, and stories told through social media. Learn and recreate stories
    from around the world while discovering the stories that are truly yours to tell—over and over again in a
    multitude of ways.

Core Division

Aiken Hall, Room 300
163 S Willard St, Burlington, VT 05401
Monday – Friday
8:00 AM – 4:00 PM