First-Year Experience
In your first year at Champlain, you will focus on being a student. What is your role, both here on campus and in a historical sense? Where can you find support? How do you write a college-level paper, anyway?
Our Navigating classes equip all students with the agency and resources to succeed in the collegiate environment. You’ll take one Navigating course in the fall and one in the spring.
The First Year Inquiry (FYI) classes focus on experiential learning and sparking your curiosity and academic passion. Each FYI course offers a variety of sections, meaning you can take the FYI courses (one in the fall and one in the spring) that look most interesting to you. Enrolled first-year students will be contacted with more information about course registration.
Fall Semester
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COR 101 | Navigating Higher Education
Why go to college? What does it mean to be educated? In this course, you’ll begin to answer these questions. We’ll explore the academic expectations of higher education, college as a diverse community, and the significance of education around the world. By examining how these issues are negotiated and implemented at Champlain and elsewhere, you’ll gain perspective on your own education and a deeper understanding of the ways that the college experience can be both liberating and transformative.
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COR 102 | First Year Inquiry (FYI): Reading, Writing, and ____
Inquiry is about learning how to ask the right kinds of questions, and figuring out how to answer those questions through discussion and reflection. This course introduces you to the types of inquiry necessary to succeed at Champlain and beyond. You will explore the intersections of reading, writing, and thinking by focusing on a specific topic or theme. You will approach that focus through the interrogation of relevant texts and analysis that draws upon multiple analytical frameworks.
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COR 102-01 FYI: Reading, Writing, and Banned Books
Kelly Bowen
Censorship, Free Speech, & Book Banning: Is your reading freedom at risk? Across the United States, banning books is, once again, headline news. Since 2021, a movement to ban books has advanced extreme conservative viewpoints that jeopardize students’ reading choices. From small local school boards to state legislatures, the opposition voices are loud as they call for removing “controversial” books from public spaces. In 2023-2024, an estimated 10,000 titles were removed from public schools, a 200% increase from 2022. Florida led the nation in banning 4,500 titles last year alone. What factors drive the hysteria, and why should it matter to you? In COR 102 Reading & Writing: Banned Books, we will examine censorship and its history in Western culture. We will sample a variety of banned works and investigate how students and critical thinking are impacted, what social constructs foster censorship, and how book banning affects society at large. In our critical reading and writing, we will explore why works with themes of race, racism, gender, sexuality, LGBTQ+, and memoir become targets of a moral minority. We will evaluate how this practice creates disinformation and further marginalizes underrepresented communities. Students leave COR 102 Reading & Writing: Banned Books with a critical understanding of censorship, book banning, and the foundations for academic writing success.
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COR 102-02 FYI: Reading, Writing, and Happiness
David Kite
What do you want from life? Is real happiness possible? How do we find it both as individuals and within community? Centering on Aristotle’s Nicomachean Ethics, this course will take a deep dive into the most important question using fresh ideas from contemporary philosophy, psychology and evolutionary biology. You will take up big questions about ethics and personal character, justice, intellectual and experiential growth, friendship and pleasure as you develop your own ideas about what makes for a good life.
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COR 102-03 FYI: Reading, Writing, and Marx
Al Capone
Have you ever wondered who Karl Marx is or what he wrote? Have you ever wondered why so many admire or revile him? Have you ever wondered what it means to be a Marxist? In this section we will examine Marx’s writings using the lenses of philosophy, literature, and economics, and you will answer all these questions for yourself.
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COR 102-04 FYI: Reading, Writing, and Marx
Al Capone
Have you ever wondered who Karl Marx is or what he wrote? Have you ever wondered why so many admire or revile him? Have you ever wondered what it means to be a Marxist? In this section we will examine Marx’s writings using the lenses of philosophy, literature, and economics, and you will answer all these questions for yourself.
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COR 102-05 FYI: Reading, Writing and Revolutionary Art Movements
Erik Esckilsen
Would you call an ordinary snow shovel leaning in an art gallery a work of art? Artist Marcel Duchamp made that claim in 1915 with Prelude to a Broken Arm. The seemingly silly display, however, also leveled a critique of the art world and of the broader cultural forces responsible for World War I (underway at the time). Neither the world nor the art would ever be the same. Students in FYI: Reading, Writing, & Revolutionary Art Movements will encounter the work of Duchamp and other artists across a wide span of art history—from neoclassical painters to Japanese anime creators—to examine how art has shaped, and has been shaped by, its cultural contexts. Students will analyze art through multiple critical perspectives to gain a deep understanding of how art illuminates the challenges, joys, and wonders of the human experience.
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COR 102-06 FYI: Reading, Writing and Revolutionary Art Movements
Erik Esckilsen
Would you call an ordinary snow shovel leaning in an art gallery a work of art? Artist Marcel Duchamp made that claim in 1915 with Prelude to a Broken Arm. The seemingly silly display, however, also leveled a critique of the art world and of the broader cultural forces responsible for World War I (underway at the time). Neither the world nor the art would ever be the same. Students in FYI: Reading, Writing, & Revolutionary Art Movements will encounter the work of Duchamp and other artists across a wide span of art history—from neoclassical painters to Japanese anime creators—to examine how art has shaped, and has been shaped by, its cultural contexts. Students will analyze art through multiple critical perspectives to gain a deep understanding of how art illuminates the challenges, joys, and wonders of the human experience.
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COR 102-07 FYI: Reading, Writing, and Revolutionary Art Movements
Erik Esckilsen
Would you call an ordinary snow shovel leaning in an art gallery a work of art? Artist Marcel Duchamp made that claim in 1915 with Prelude to a Broken Arm. The seemingly silly display, however, also leveled a critique of the art world and of the broader cultural forces responsible for World War I (underway at the time). Neither the world nor the art would ever be the same. Students in FYI: Reading, Writing, & Revolutionary Art Movements will encounter the work of Duchamp and other artists across a wide span of art history—from neoclassical painters to Japanese anime creators—to examine how art has shaped, and has been shaped by, its cultural contexts. Students will analyze art through multiple critical perspectives to gain a deep understanding of how art illuminates the challenges, joys, and wonders of the human experience.
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COR 102-08 FYI: Reading, Writing, and Censorship
Jeff Haig
Dive into an exploration of literature, social transformation, and the profound influence of language and images in “Reading, Writing, and Censorship.” This dynamic course utilizes critical theories from the humanities and social sciences to examine how visual art, music, films, books, and ideas have been, and continue to be, subject to censorship. By engaging with controversial texts, participating in vibrant debates, and undertaking reflective writing assignments, students will critically analyze the impact of censorship on societal norms and individual freedoms.
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COR 102-09 FYI: Reading, Writing, and Censorship
Jeff Haig
Dive into an exploration of literature, social transformation, and the profound influence of language and images in “Reading, Writing, and Censorship.” This dynamic course utilizes critical theories from the humanities and social sciences to examine how visual art, music, films, books, and ideas have been, and continue to be, subject to censorship. By engaging with controversial texts, participating in vibrant debates, and undertaking reflective writing assignments, students will critically analyze the impact of censorship on societal norms and individual freedoms.
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COR 102-12 FYI: Reading, Writing, and Happiness
David Kite
What do you want from life? Is real happiness possible? How do we find it both as individuals and within community? Centering on Aristotle’s Nicomachean Ethics, this course will take a deep dive into the most important question using fresh ideas from contemporary philosophy, psychology and evolutionary biology. You will take up big questions about ethics and personal character, justice, intellectual and experiential growth, friendship and pleasure as you develop your own ideas about what makes for a good life.
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COR 102-14 FYI: Reading, Writing, and Race Matters
Frank Robinson
From Critical Race Theory to the death of George Floyd, from arguments for reparations to White Supremacist marches, and from Supreme Court definitions of equality to uncomfortable social media posts, race is a topic never far from risky conversation or public consternation. In this course we will explore our questions about race. What is race? Despite the civil rights movement 60 years ago, why is race still an issue? What are the stories about race in the U.S.? Drawing on autobiography, film, and history for answers — and more questions — the course will nurture the thinking skills of inquiry through reading, writing, and conversation.
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COR 102-15 FYI: Reading, Writing, and Race Matters
Frank Robinson
From Critical Race Theory to the death of George Floyd, from arguments for reparations to White Supremacist marches, and from Supreme Court definitions of equality to uncomfortable social media posts, race is a topic never far from risky conversation or public consternation. In this course we will explore our questions about race. What is race? Despite the civil rights movement 60 years ago, why is race still an issue? What are the stories about race in the U.S.? Drawing on autobiography, film, and history for answers — and more questions — the course will nurture the thinking skills of inquiry through reading, writing, and conversation.
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COR 102-16 FYI: Reading, Writing, and Gender Binary in Pop Culture
David Rous
Why are men allowed to get angry but not cry, while women are allowed to cry but not get angry? Why are men expected to lead, while women are expected to nurture? Why are little boys sometimes told to suck it up and deal, but little girls sometimes get hugged and comforted? Why are girls often given pink things, but boys blue things? Why do boys typically receive trucks and legos and toy guns at Christmas, while girls often get dolls or things with unicorns on them? Why are young men allowed to indulge their sexual appetite, but young women are encouraged to control theirs? And what are the rules for people who don’t fit into the traditional molds at all? In this section, we will explore why males and females are encouraged by society to do and be certain things, and why they are also encouraged not to do or be certain things. Through the lens of western popular culture, we will study how gender works and how it is changing in our times.
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COR 102-17 FYI: Reading, Writing and Gender Binary in Pop Culture
David Rous
Why are men allowed to get angry but not cry, while women are allowed to cry but not get angry? Why are men expected to lead, while women are expected to nurture? Why are little boys sometimes told to suck it up and deal, but little girls sometimes get hugged and comforted? Why are girls often given pink things, but boys blue things? Why do boys typically receive trucks and legos and toy guns at Christmas, while girls often get dolls or things with unicorns on them? Why are young men allowed to indulge their sexual appetite, but young women are encouraged to control theirs? And what are the rules for people who don’t fit into the traditional molds at all? In this section, we will explore why males and females are encouraged by society to do and be certain things, and why they are also encouraged not to do or be certain things. Through the lens of western popular culture, we will study how gender works and how it is changing in our times.
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COR 102-18 FYI: Reading, Writing, and Gender Binary in Pop Culture
David Rous
Why are men allowed to get angry but not cry, while women are allowed to cry but not get angry? Why are men expected to lead, while women are expected to nurture? Why are little boys sometimes told to suck it up and deal, but little girls sometimes get hugged and comforted? Why are girls often given pink things, but boys blue things? Why do boys typically receive trucks and legos and toy guns at Christmas, while girls often get dolls or things with unicorns on them? Why are young men allowed to indulge their sexual appetite, but young women are encouraged to control theirs? And what are the rules for people who don’t fit into the traditional molds at all? In this section, we will explore why males and females are encouraged by society to do and be certain things, and why they are also encouraged not to do or be certain things. Through the lens of western popular culture, we will study how gender works and how it is changing in our times.
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COR 102-19 FYI: Reading, Writing and Role-Playing Games
Bill Stratton
While Role Playing Games (as we currently understand them) were formed first from wargames, they have since evolved to encompass a myriad of popular culture, including more “traditional” pen and paper, video games, novels (litrpg) movies, and even spawning immensely popular Youtube and other social media channels (such as Critical Role). As it’s evolution continues, we’ll be reading, writing, and experiencing these games in order to best examine their social, cultural, and philosophical impact, as well as learning about their history (and the history that inspired them), mythology, and ways in which they construct meaning from both the worlds created, and the world we live in.
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COR 102-20 FYI: Reading, Writing, and Creature Comforts
Kelly Thomas
Millions world-wide today share their lives with an animal they consider a member of the family. Why is that? How and why have humans developed relationships with other species for thousands of years? What roles do our furry, feathered, scaled and aquatic friends play in our lives, and we in theirs? Who “domesticated” whom? In this course, you’ll practice college-level close-reading and analysis as well as academic writing by investigating the emotional, behavioral and commercial aspects to human-animal bonding and its far-reaching cultural impact.
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COR 102-21 FYI: Reading, Writing, and Creature Comforts
Kelly Thomas
Millions world-wide today share their lives with an animal they consider a member of the family. Why is that? How and why have humans developed relationships with other species for thousands of years? What roles do our furry, feathered, scaled and aquatic friends play in our lives, and we in theirs? Who “domesticated” whom? In this course, you’ll practice college-level close-reading and analysis as well as academic writing by investigating the emotional, behavioral and commercial aspects to human-animal bonding and its far-reaching cultural impact.
Spring Semester
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COR 103 | Navigating Your Information Landscape
What makes an argument good or bad? What counts as evidence in our post-truth world? How can you understand and assess the truth value of a claim when you’re not an expert? In this course you’ll learn rhetorical strategies about how to examine arguments and types of evidence in different disciplines and fields of study. To help learn these strategies, you will do close readings of texts from a variety of disciplines in the liberal arts and sciences, popular culture, and social media.
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COR 104 | First Year Inquiry (FYI): Making, Doing, and ____
This course introduces you to interdisciplinary inquiry using applied, project-based, and/or experiential methods. Regardless of the specific course focus, you’ll have opportunities for making and doing interdisciplinary knowledge creation through a variety of approaches and activities. You will collaborate with other students, iterate on ideas, and work to develop a project.
You can explore the Spring 2024 FYI topics below. Please note that current and previous topics are not guaranteed to be available in future semesters.
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COR 104-01: Making Friends
Kelly Bowen
This section is an interactive workshop in interpersonal communications. Through a series of seemingly simple
group interactions: a tea party, a political debate, sending Valentines, we will dissect the layered and complex
dynamics of human behavior. How do you conduct yourself, express yourself, and foster relationships?
Starting on campus, this class will explore the mechanics of relationships and the importance of building
tangible community ties. We will consider the societal benefits of developing strong personal and social
connections. We will examine how human interaction has shifted in the digital age and discuss the personal
and community impacts of the COVID-19 quarantine. -
COR 104-02: The Fun Factor
Cynthia Brandenburg
From highly programmed childhoods and chronic digital surveillance, to the COVID pandemic, changing social
norms and expectations, and the ubiquity of the iPhone, there are a multitude of factors that have impacted
the reasons why Gen Z’s experience of “fun” differs from the generations that preceded them. In this course,
we will explore how history, culture and society have shaped and reshaped what it means to have fun, what
material objects are associated with fun, and why having fun actually really matters. Students will explore their
own ideas related to fun and test their understandings by creating a series of pop-up events for the community
that are intended to be, well, just for fun. -
COR 104-03: Making a Better Community
Erik Esckilsen
This section is an interactive workshop in interpersonal communications. Through a series of seemingly simple group interactions: a tea party, a political debate, sending Valentines, we will dissect the layered and complex dynamics of human behavior. How do you conduct yourself, express yourself, and foster relationships? Starting on campus, this class will explore the mechanics of relationships and the importance of building tangible community ties. We will consider the societal benefits of developing strong personal and social connections. We will examine how human interaction has
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COR 104-04: Making a Better Community
Erik Esckilsen
The central feature of any community is something shared—something in common. For a community to thrive, however, community members must negotiate differences. What are the mechanisms by which functional communities bring people together across divisions? What are the barriers to creating inclusive communities? This course will examine a variety of communities, from students’ home communities to virtual communities to the “global village,” to illuminate how diverse interests, power differentials, and the design of community
spaces influence the health of a community. Students will engage in rigorous interdisciplinary research and critical thinking to understand the multifaceted nature of communities and, in one major course project, envision and design a better community. -
COR 104-52: Making and Doing RPG
William Stratton
In this class we will look at existing TTRPG game designs, evaluate their systemic and iterative operational
values, and then construct our own. We’ll work in small groups and utilize the experiential aspects of those
systems to help examine and navigate how they interact internally, as well as socially/culturally, and how they
fit in to larger contextual systems. -
COR 104-06: Making Collage & Montage
Zachary LaMalfa
In this section, we will examine what collage and montage techniques, under broad definitions (collage and bricolage in visual art; cento and cut-up techniques in poetry and fiction; editing techniques in film and video; remix, quoting, and sampling in music; etc.) can do for us in our efforts to represent, interpret, and challenge the everyday order of our world. We’ll look at the ways randomized and chance techniques produce meaning and, through unconscious association, reveal our own concerns and fixations. We’ll challenge conventional ideas of “originality” and “creativity” in our respective fields and interest areas, and we’ll consider the ways artists, designers, writers, filmmakers, activists, and others use combinations, juxtapositions, and even accidents to express complex ideas in mere instants. Across the semester, you’ll develop your own montage- and collage-based projects, learning in the process to read and critique visual language, make deliberate statements through collage methods, and uncover existing nuances in your own interests and ideas.
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COR 104-07: Making Collage & Montage
Zachary LaMalfa
In this section, we will examine what collage and montage techniques, under broad definitions (collage and bricolage in visual art; cento and cut-up techniques in poetry and fiction; editing techniques in film and video; remix, quoting, and sampling in music; etc.) can do for us in our efforts to represent, interpret, and challenge the everyday order of our world. We’ll look at the ways randomized and chance techniques produce meaning and, through unconscious association, reveal our own concerns and fixations. We’ll challenge conventional ideas of “originality” and “creativity” in our respective fields and interest areas, and we’ll consider the ways artists, designers, writers, filmmakers, activists, and others use combinations, juxtapositions, and even accidents to express complex ideas in mere instants. Across the semester, you’ll develop your own montage- and collage-based projects, learning in the process to read and critique visual language, make deliberate statements through collage methods, and uncover existing nuances in your own interests and ideas.
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COR 104-08: Outdoor Adventure
Erik Shonstrom
Why does learning have to happen indoors? The tradition of outdoor education shows us that having
adventures together teaches collaboration, self-reliance, and empathy. We can also think about what we gain
when we break down walls – literal and metaphoric – and begin to interact directly with the world around us.
Being outside changes us; learning is no longer transactional, but transformational. Plus, being outside is way
more fun. -
COR 104-09: Outdoor Adventure
Erik Shonstrom
Why does learning have to happen indoors? The tradition of outdoor education shows us that having
adventures together teaches collaboration, self-reliance, and empathy. We can also think about what we gain
when we break down walls – literal and metaphoric – and begin to interact directly with the world around us.
Being outside changes us; learning is no longer transactional, but transformational. Plus, being outside is way
more fun. -
COR 104-10: Outdoor Adventure
Erik Shonstrom
Why does learning have to happen indoors? The tradition of outdoor education shows us that having
adventures together teaches collaboration, self-reliance, and empathy. We can also think about what we gain
when we break down walls – literal and metaphoric – and begin to interact directly with the world around us.
Being outside changes us; learning is no longer transactional, but transformational. Plus, being outside is way
more fun. -
COR 104-11: Outdoor Adventure
Erik Shonstrom
Why does learning have to happen indoors? The tradition of outdoor education shows us that having
adventures together teaches collaboration, self-reliance, and empathy. We can also think about what we gain
when we break down walls – literal and metaphoric – and begin to interact directly with the world around us.
Being outside changes us; learning is no longer transactional, but transformational. Plus, being outside is way
more fun. -
COR 104-12: Making and Doing RPG
William Stratton
In this class we will look at existing TTRPG game designs, evaluate their systemic and iterative operational
values, and then construct our own. We’ll work in small groups and utilize the experiential aspects of those
systems to help examine and navigate how they interact internally, as well as socially/culturally, and how they
fit in to larger contextual systems. -
COR 104-13: Doing Martial Arts
Stephen Wehmeyer
From The Karate Kid, to Kung-fu Panda, from Mortal Kombat to Street Fighter and Enter the Dragon — Martial
Arts intrigue us, excite us, terrify us and inspire us. This section takes an interdisciplinary approach to
exploring multi-cultural martial arts in multiple contexts. We’ll look at the philosophical, bio-medical, religious,
historical, and cultural underpinnings of a number of martial and related fitness traditions. We’ll explore their
relations to systems of power and privilege, resistance and oppression. We’ll have the opportunity to explore
these arts at first hand – learning from experts in the local community, and consider those arts as systems of
conflict resolution and embodied vernacular tradition. We’ll examine the depiction of combat arts in popular
culture and media and explore how a visceral understanding of these ways can open our minds and bodies to
a deeper understanding of the cultures that create them. -
COR 104-14: Doing Martial Arts
Stephen Wehmeyer
From The Karate Kid, to Kung-fu Panda, from Mortal Kombat to Street Fighter and Enter the Dragon — Martial
Arts intrigue us, excite us, terrify us and inspire us. This section takes an interdisciplinary approach to
exploring multi-cultural martial arts in multiple contexts. We’ll look at the philosophical, bio-medical, religious,
historical, and cultural underpinnings of a number of martial and related fitness traditions. We’ll explore their
relations to systems of power and privilege, resistance and oppression. We’ll have the opportunity to explore
these arts at first hand – learning from experts in the local community, and consider those arts as systems of
conflict resolution and embodied vernacular tradition. We’ll examine the depiction of combat arts in popular
culture and media and explore how a visceral understanding of these ways can open our minds and bodies to
a deeper understanding of the cultures that create them. -
COR 104-51: Making Stories
Fia Moser-Hardy
How do you find a story? How do you craft one? Why are stories important? What stories are yours to tell and
which ones belong to others? Explore stories in a variety of ways: oral storytelling, personal narrative,
journalistic investigation, retelling traditional stories through the written word, fictional stories, stories told
through the creative and performing arts, and stories told through social media. Learn and recreate stories
from around the world while discovering the stories that are truly yours to tell—over and over again in a
multitude of ways.
Core Division
Location
163 S Willard St, Burlington, VT 05401
Office Hours
8:00 AM – 4:00 PM